Forget About That "Secret" (and Invisible too, now) Corny Corner-Ribbon's Drivel! The Real Secret is HERE Indeed - not over there!

Tuesday, January 01, 2008

TLB Prime Premiere!









Dedicated to my friend Jesuvenne - who is fighting cancer.

What better way to start the new year
on the Luminous Blog - TLB Prime Itself
The center stage of the TLB Prime Network
and cornerstone of my luminous projects
(if not just a stepping stone, per say!)
WHAT BETTER WAY, FOLKS -
THAN WITH A PREMIERE!
And so, without further ado,
For the first time ever on ANY blog
or website (or even webpage)
that is a part of the vast and
far-reaching TLB PRIME NETWORK -
here is the one, the only,
... Marilou?!?
Well - yes!
First screen above is Marilou's
haunting hit from 2007
"Danser Sur La Lune"
(featuring Merwan Rim -
not Merman Wim...!)
while the second screen above
was supposed to be my very own
songstress cousin - São!
Alas, her creative partner
Larry (not to be confused
with the Vermont gent
who had a brother Darryl
and another brother Darryl...)
Larry, hence, does not want to allow
ANYONE to embed São's videos
onto their own websites!
Still, you may see the videos here.
So much is okay with Larry!
:)


And if those fine music samples aren't enough,
here are some more that I simply find...
well... luminous, of course!

At the very top, you have audio tracks
truly miscellaneous/luminous there...

And below are some select artists...
Elite artists!




Hayley Westenra [Artist]:
'Shenandoah/One Fine Day/E Pari Ra Medley'

Artiste: Hayley Westenra [Artist]
Étiquette: Decca Classics
Compositeur: Traditional, [Composer/Author]


Hayley Westenra [Artist]: <br />'Shenandoah/One Fine Day/E Pari Ra Medley'
Hayley Westenra [Artist]:
'Shenandoah/One Fine Day/E Pari Ra Medley'





Bond: 'Victory'

Artiste: Bond
Étiquette: Decca Classics
Compositeur: Tonci Huljic


Bond: 'Victory'
Bond: 'Victory'






I'll even throw in Ima!
She whom I identify greatly with São...


IMA : Que sera sera
IMA : Que sera sera



IMA : Baila
IMA : Baila




The preceding was my very own
luminous way to say...
HAPPY NEW YEAR everybody!

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Thursday, September 27, 2007

Odes... Nothing Too Odd About That - I Swear!


Even though my allegiance is clear
and I am not quite the, ah,
"cat person" some assume luminous me to be
(since I inherited a cat -
remember?)

I just have to share this video:



And this one too
(while I'm at it!)


and all this, while I'm at it: 








Mary Win is something else!
I do know, though,
as stated at the top,
where my loyalty should rest!
And thus,
I would be remiss
if I didn't remind you all
of this upcoming event:



===













Maria Da Conceiçâo - really... 


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Wednesday, January 24, 2007

High Lights And Plights

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For once, I like the French better than the English: one has to admit that
Festival de Lumiere sounds much better, in all of its simplicity, than a rather defective attempt at making a play on words - "Montreal High Lights" - correct?

All I know is that it has been announced that
Misia, Monica Freire, Johnny Clegg and a plethora of other artists that all seem out of place in the (usually) cold months of February and March in a town like Montreal are going to be there to perform LIVE... Even thespian Amanda Plummer will be on stage, as a part of that festival...! What is she going to perform, I wonder, alongside musicians and singer/songwriters? That is but one of the many bizarre questions that arise from all this, actually...

For, indeed, Misia's presence on montrealer soil is perplexing. For there are already a lot of similar artists right there, around that so-called "metropolitan area" - the Sãos, Bïas and Bet Es are there. And yet, they are not enough? They are once more frowned upon in favor of the visitor... It is indeed an event in itself that an international star, of whatever kind or art, makes a stopover there, in the dead of winter to boot... To me though, all it says is that the artist in question has very poor management and/or advisers! "Anywhere but there," would have been my advice - "wait until the festival season really gets into high gear, in the summer months!" Now THAT makes a hell of a lot more sense! In the meantime, leave the stage to those artists who are already stuck in the damned winter season - the Sãos, the Bïas and the Bet Es! They don't get the spotlight in their own backyard - where are they supposed to be getting it then? They certainly will not be welcomed as divas over THERE - in Lisboa, Portugal - the same way Misia is going to be treated like a queen here...! This is, after all, not some kind of cultural exchange program... Is it? No indication whatsoever, anywhere on the program, that it might be...! So I will assume it is not - as it should not be!
As for Amanda Plummer's participation in all this; don't get me wrong now! I am quite a fan of hers! I think the world of her! Her jaw-dropping action scene in
Needful Things alone is enough to make a favorite of any luminous gent like me! Her equally luminous lines -and delivery of those- in many more of her films are as many reasons to love her! She is like her dad - an accomplished stage actress - I know it! But surely you've noticed my preference for her cinematic work...! Film captures a performance so well - no lines, no nuance in the performance, no mere gesture escapes the camera! And it all remains forevermore - almost! Stage performances are lost to the flow of time - lines are muttered and the audience will not hear them - and so forth... Actors belong in film - where they can move about without concerns such as "is the mic going to follow me; and will the audience?" And, on the flipside of course, musical performers are born for the stage, not film! Mixing and matching is asking for trouble - and, besides, I never cared much for the theatrics and histrionics of Amanda's dad...!
Thespians -just like international stars- should be keeping to their medium and proper stage, and leave the spotlight to the homegrown talent in such occasions as this "festival de Lumière"...

I was thinking back to the other local talents that were poorly treated in the area in question - none worse than composer
André Mathieu. Mathieu had been a child prodigy - but, once attaining adulthood, I guess that the magic wore off or something... And no one would give him a chance again! He would keep composing, but as a pariah from the "colonie artistique" and musical world, almost... Luc Dionne even says that he was ASSASSINATED - betrayed and let down by all of his so-called "friends" - his own father included... And then he died one day - in his late 30's I do believe, he just collapsed one day, out of the blue, just like that. Heart attack, if memory serves me right. And that was that. No one is a prophet in his own land - but this tragic fate was so easy to avoid. They named an artistic venue after him since, in Laval QC. Canada, where Bïa, at least, did perform a few times... Aside from that though, his community didn't do much for their "local Gershwin" as some called him (I would call him their Tchaikovsky - but that is another story... At least Mathieu was not half as screwed up as Tchaikovsky was...!)
In the immortal words of Clint Eastwood (only so because they happen to be on celluloid, though...) - "no one can do a thing if nobody gives him a chance."
Indeed, Clint E. - indeed!

André Mathieu had once told a journalist that he had wanted "to be in the daylight" - this was in response to the question "why did you title one of your compositions 'In The Night'?"
Such a moving reply was quite telling indeed.
The composition in question was just one of many illustrious compositions - he reportedly composed seven concertos - but only two have remained for posterity.
He also composed a concertino at the age of eleven which won him a prestigious contest in 1940 - Leonard Bernstein had finished 22nd in that very same event...

Since no one learns from the past anymore - what are artists to do?
Use another hackneyed line such as "make my day"...?

Or add to it, maybe: "somebody, make my day - please?"

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© 2007 Onwards ~ Luminous Luciano Pimentel
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